Idea behind (skid_concept)

By definition...

Main Entry: 1skid
Pronunciation: \skid\
Function: noun, verb
Etymology: perhaps of Scandinavian origin; akin to Old Norse skīth "stick of wood"
Date: circa 1610

1: one of a group of objects (as planks or logs) used to support or elevate a structure or object
2: to apply a brake or skid to : slow or halt by a skid

I could take a couple of different perspectives on this idea. One being, my ideas are used to support and progess something towards bettering itself. Two, I apply a break to myself. Acting without or before thinking only brings unecessary complexity and consequences. Or it could just be a simple play on my name...
sheldon kazmarski design concept

Insight.

I'm a moderately expressed extrovert, who thinks outloud. I like to expand upon my emotions. I'm fatigued by a lack of stimulation. I live life to understand it. I am an idealist. A conceptualist. I match my artistic style to French Art Nuveau. I share an afinity for flat dynamic silhouettes, with subtle accents. I have a love for drawing. I never start a project without fully sketching out my ideas.

I visualize the completed elements as awhole through use of my imagination. Before whn I studied architecture I didall of my drawings by hand. It is said that there are some thigns a computer cando better than the hand. I believe it is the other way around. Hand drawings are beautiful and bring line to life. A new element is added to the picture, human vulnerability in making mistakes.



Tuesday, January 15, 2008

January 15th Text Commentary

The readings were interesting. In the Scoping an Audience section, I had never really thought of art as being consumed by anything. I always new that viewers could learn from it, relate to it, reject, criticize it, and condemn, it. But in essence they are consuming it, and their response/reflection is the digestion state.
Being inspired is a feeling that I welcome with open arms. It is exactly what Ovid describes it as, "the diety within us who breathes that divine fire by which we are animated." I have found myself in many of the situation discussed in this chapter. Such as the inspiration not being sustained during the process of creation, inspiration is diverted to another work of art before the other one is completed, or that simultaniously I have inspiration for more than one project at the same time. I agree that every artist has his or her own way of finding inspiration, be it a certain visual that strikes up a memory, a song, discomfort...somethingthat awakens them and jumpstarts their creative engine. I find mine through passion. A passion for all things ugly and beautiful. Passion for things I'm dealing with internally and things affecting my outside environment. That passion is delivered in the form of a tiny spark that illuminates me from the inside out.
Crafting an Artisitic "self" was a very interesting read. It addressed alot of the questions that I have been struggling with over the last few years. Who am I as a person and who am I as a designer? Do I portray myself as one person to everyone or do I have multiple shades of grey? I want viewers of my art to be able to relate and understand the person making it as much as the piece itself. So far it has been a fantastic journey of self discovery. I can only help that the statement "self knowledge is sometimes discovered through the process of creating art" holds true.
My attitude is simple. It is an extension of my personality. It is not based on arrogance. It is confidence in myself and my abilities. People say that I have a aura about me when I walk into a room. That my presence is strong and people notice that I am confident and sure.

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