Idea behind (skid_concept)

By definition...

Main Entry: 1skid
Pronunciation: \skid\
Function: noun, verb
Etymology: perhaps of Scandinavian origin; akin to Old Norse skīth "stick of wood"
Date: circa 1610

1: one of a group of objects (as planks or logs) used to support or elevate a structure or object
2: to apply a brake or skid to : slow or halt by a skid

I could take a couple of different perspectives on this idea. One being, my ideas are used to support and progess something towards bettering itself. Two, I apply a break to myself. Acting without or before thinking only brings unecessary complexity and consequences. Or it could just be a simple play on my name...
sheldon kazmarski design concept

Insight.

I'm a moderately expressed extrovert, who thinks outloud. I like to expand upon my emotions. I'm fatigued by a lack of stimulation. I live life to understand it. I am an idealist. A conceptualist. I match my artistic style to French Art Nuveau. I share an afinity for flat dynamic silhouettes, with subtle accents. I have a love for drawing. I never start a project without fully sketching out my ideas.

I visualize the completed elements as awhole through use of my imagination. Before whn I studied architecture I didall of my drawings by hand. It is said that there are some thigns a computer cando better than the hand. I believe it is the other way around. Hand drawings are beautiful and bring line to life. A new element is added to the picture, human vulnerability in making mistakes.



Saturday, February 23, 2008

February 20th, Class Commentary

Are memories held in materials? That was the once question that stood out to me the most while watching this video in class. Do certain memories get triggered by the touch of a material, the taste, sound, smell, or sight? I feel that they do. There have been plenty of times where holding an object has brought back a memory, whether it be mind related or muscle memory. Like when I touch a basketball, I think back to how frustrating it was when my Dad was tryingt o teach me how to shoot properly. Or if I'm at work and I touch a tape gun and box, it's instinctive to tape up the box all the way, even if I know that I should wait because the customer needs to put a card inside.
I noticed that alot of what this artist did was semi performance based. Her art was about the act of making it, and not necessarily the art itself. She wants the viewer to empathize with what she went through to make her art. I guess that is one way to transcend the boundary between artist, art piece, and viewer.

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