Idea behind (skid_concept)

By definition...

Main Entry: 1skid
Pronunciation: \skid\
Function: noun, verb
Etymology: perhaps of Scandinavian origin; akin to Old Norse skīth "stick of wood"
Date: circa 1610

1: one of a group of objects (as planks or logs) used to support or elevate a structure or object
2: to apply a brake or skid to : slow or halt by a skid

I could take a couple of different perspectives on this idea. One being, my ideas are used to support and progess something towards bettering itself. Two, I apply a break to myself. Acting without or before thinking only brings unecessary complexity and consequences. Or it could just be a simple play on my name...
sheldon kazmarski design concept

Insight.

I'm a moderately expressed extrovert, who thinks outloud. I like to expand upon my emotions. I'm fatigued by a lack of stimulation. I live life to understand it. I am an idealist. A conceptualist. I match my artistic style to French Art Nuveau. I share an afinity for flat dynamic silhouettes, with subtle accents. I have a love for drawing. I never start a project without fully sketching out my ideas.

I visualize the completed elements as awhole through use of my imagination. Before whn I studied architecture I didall of my drawings by hand. It is said that there are some thigns a computer cando better than the hand. I believe it is the other way around. Hand drawings are beautiful and bring line to life. A new element is added to the picture, human vulnerability in making mistakes.



Sunday, February 17, 2008

Text Reading- Julian LaVerdiere

I love Julians inspiration. It is much like mine. He has described the essence of what it is. "A steady phenomenon that flows continuously, a component of every hour whether or not that hour is devoted to the creation of art. The enrgized mental state is both the product of each artwork and the inspiration for the next one." I do not go looking for inspiration. I let it find me. It could be a rock, a person, a feeling, a completely opposite random thought. Julian states that the woirk has an ability to augment the creative potential of viewers. The way that I work with my art, is somewhat similar to this statemtn. I let myself become a viewer. I analize, not from the artist point fo view from a spectators. It allows me to see things in different lights. Julian states that he strives to establish the inspired state of mind as a mental norm. Well I believe I have come to that point already. I have a very visual mind. I see things that most don't see. But more importantly I let my mind wander. I let it explore, and find its own way. It finds its own mysterys, produces its own curiosity, and stimulates any creative action that I would physically take. My mind lives life through my imagination.

Julian compares himself to Faust. Faust to Julian is a paradigm of inspiration. Hius mission is to create art infused with the perennial power to inspire original achievements in others. But why others? Why not make art for yourself? Why make it for other people? I think when you start making art for others it becomes a job, it is no longer a profession. It takes on a different purpose. I make my art for me. Not for anyone else. Defined below are job and profession. There is a big difference.

job1 /dʒɒb/ Pronunciation Key - Show Spelled Pronunciation[job] Pronunciation Key - Show IPA Pronunciation noun, verb, jobbed, job·bing, adjective
–noun
1. a piece of work, esp. a specific task done as part of the routine of one's occupation or for an agreed price
2. a post of employment; full-time or part-time position
3. anything a person is expected or obliged to do; duty; responsibility
4. an affair, matter, occurrence, or state of affairs
5. the material, project, assignment, etc., being worked upon
6. the process or requirements, details, etc., of working
7. the execution or performance of a task

pro·fes·sion /prəˈfɛʃən/ Pronunciation Key - Show Spelled Pronunciation[pruh-fesh-uhn] Pronunciation Key - Show IPA Pronunciation
–noun 1. a vocation requiring knowledge of some department of learning or science:
2. any vocation
3. the act of professing; avowal; a declaration, whether true or false: professions of dedication.
4. the declaration of belief in or acceptance of religion or a faith
5. the declaration made on entering into membership or order.


I beleive that Julian has an interesting inspiration subject. The missing chapters in recorded history. Again I kind of find this hypocritical. He finds inspiration in history even in times when he is not devoting himself to art. But isn't art history? A sketch on a napkin I did yesterdya is history. Is there record of it? Not if I throw it away? Well what if I dated it and threw it away? Then there would some discovery to be made later? But then is it still consdered art or trash? He has to devote time to discovering these missing chapters in recorded history to find inspiration for his art. Unless this world operates like the matrix in the sense that he jsut plugs himself up one time and he knows all of the history there ever was for anything. I just find some of the things he say contradictory. But on the other hand I do agree with a couple of key statements. Apathy and boredom are the twin enemies of inspiration. IF you aren't getting out there to experience the world then you will be bored. "You cannot inspire hope without inspiring confidence." So true. You have to have confidence in hope above all else.

pro·fes·sion /prəˈfɛʃən/ Pronunciation Key - Show Spelled Pronunciation[pruh-fesh-uhn] Pronunciation Key - Show IPA Pronunciation
–noun 1. a vocation requiring knowledge of some department of learning or science:
2. any vocation
3. the act of professing; avowal; a declaration, whether true or false: professions of dedication.
4. the declaration of belief in or acceptance of religion or a faith
5. the declaration made on entering into membership or order.

No comments: