Idea behind (skid_concept)

By definition...

Main Entry: 1skid
Pronunciation: \skid\
Function: noun, verb
Etymology: perhaps of Scandinavian origin; akin to Old Norse skīth "stick of wood"
Date: circa 1610

1: one of a group of objects (as planks or logs) used to support or elevate a structure or object
2: to apply a brake or skid to : slow or halt by a skid

I could take a couple of different perspectives on this idea. One being, my ideas are used to support and progess something towards bettering itself. Two, I apply a break to myself. Acting without or before thinking only brings unecessary complexity and consequences. Or it could just be a simple play on my name...
sheldon kazmarski design concept

Insight.

I'm a moderately expressed extrovert, who thinks outloud. I like to expand upon my emotions. I'm fatigued by a lack of stimulation. I live life to understand it. I am an idealist. A conceptualist. I match my artistic style to French Art Nuveau. I share an afinity for flat dynamic silhouettes, with subtle accents. I have a love for drawing. I never start a project without fully sketching out my ideas.

I visualize the completed elements as awhole through use of my imagination. Before whn I studied architecture I didall of my drawings by hand. It is said that there are some thigns a computer cando better than the hand. I believe it is the other way around. Hand drawings are beautiful and bring line to life. A new element is added to the picture, human vulnerability in making mistakes.



Friday, March 14, 2008

Class Commentary- March 10th

We watched a video on Dutch Artist Theo Jansen. This wasn't the first time that I have seen his work. He has been doing these living creatures for some time now. During my research when I studied architecture, I would run across his work from time to time. I had a project where we had to design a music studio for a music professor on campus. The site was in the VanLandingham Japanese Garden. Terrible site. Anyway, one requirement was that the building ahd to move and transition through time and space taking on different forms and occuying different areas in the garden duringthe whole development process of a music piece. There was no set amount of time that the building had to stay in one place, nor were there specific areas that it had to occupy. To me...it was a reflection from one physical piece
(music) to another physical piece (studio) in how the the whole process changes and develops. It completes a circle of life. Begeining and ending inthe same place. I had walked through the whole garden making reference and cataloging all of the specific focal points that I thought wre important. I developed conceptually this overall building based off of circles. And how you can experience them and walk through them. I took my inspiration from the moon gate and the idea of a cycle of creative thought to make a music piece. With the moon gate you walk through a circle. I redesigned the gazebo to mimic the trees around it. It took on the shape of a log turned on its side. Tree trunks are circular. But with the gazebo....you walked beside the circle. The musicians studio plan took on the shape of a circle. Basically you would walk around or underneath the circle. acoustically I thought the sound echoing through a circle would be great for keeping long notes and echoes. It would make the music come to life....like it was having a conversation with itself. My idea was that the building itself didn't come to life but the journey that musician was forced to take in experiencing the whole site came to life.

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