Idea behind (skid_concept)

By definition...

Main Entry: 1skid
Pronunciation: \skid\
Function: noun, verb
Etymology: perhaps of Scandinavian origin; akin to Old Norse skīth "stick of wood"
Date: circa 1610

1: one of a group of objects (as planks or logs) used to support or elevate a structure or object
2: to apply a brake or skid to : slow or halt by a skid

I could take a couple of different perspectives on this idea. One being, my ideas are used to support and progess something towards bettering itself. Two, I apply a break to myself. Acting without or before thinking only brings unecessary complexity and consequences. Or it could just be a simple play on my name...
sheldon kazmarski design concept

Insight.

I'm a moderately expressed extrovert, who thinks outloud. I like to expand upon my emotions. I'm fatigued by a lack of stimulation. I live life to understand it. I am an idealist. A conceptualist. I match my artistic style to French Art Nuveau. I share an afinity for flat dynamic silhouettes, with subtle accents. I have a love for drawing. I never start a project without fully sketching out my ideas.

I visualize the completed elements as awhole through use of my imagination. Before whn I studied architecture I didall of my drawings by hand. It is said that there are some thigns a computer cando better than the hand. I believe it is the other way around. Hand drawings are beautiful and bring line to life. A new element is added to the picture, human vulnerability in making mistakes.



Tuesday, March 25, 2008

Class Commentary-March 17th

The McColl Center: Phantasmagoria
The exhibit was amazing. I throoughly enjoyed every piece at the show. I don't know how many people read the synopsis of the show but it was based on a precinema projection ghost show invented in France in the late 18th century. Each piece was unique and dynamic. I hada couple pf favorites though. One was the silhouettes that moved electronically across the still frame image of the Met in NYC. I thought this artists captured something so pure with the forms. If you break it down, aren't we all just beings. Spirits that exisit. If you take away our physical bodies, your spirit is no more special than mine orthe next person. We are just there. We come. We go. This piece put me into a trance everytime I stood in front of it. I could have watched it all day long. It was soothing as well as mysterious. I wonder though...if the McColl center had put it somewhere else in the exhibition space. Like if it had been located in the back instead of up front as soon as you walk in. OR if the piece was located on a main wall perpendicualr to the walking path instead of parallel to it so that it would be in line of sight. Basically a framed view. I also enjoyed the seat that smoked. When you sat down in front of it you looked at your self in the mirror and then you dissapear. I enjoyed it for the fact that it comforted me. I loved being surround by the smoke. It felt jsut like how my feels sometimes....cloudy. It was a release from existence. I disapeared momentarily. But I wonder if the setting changed would the way people recieved the piece change? If this seat were located on a busy corner of an intersection in NYC and someone sat down on it and they dissapeared...would it draw more or less attention? In a environment like that people are robots, drones, ants. They have a path, they walk it. Oblivious to anything that goes on around them. You don't exist anyway to them. For all they care you couldbe a tree in front of them that they have to walk past. Would a big puff of smoke shock them out of the everyday trance they live in?

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